From the series Hot Skin.
Hot Skin is an investigation of everyday life that reflects upon the past and the present. The series shares commonplace emotions and moments that overlap with the lives of others and connect those lives in understanding. This connection is created through a set of themes and symbols that are present throughout the series. Implemented themes include sex, long distance communication, domestic living, relationships and moments of transition.
These themes are examined through ambiguous, narrative self-portraits and still lives within personal environments. Each of these narratives has a sense of tension to create an emotional atmosphere to reflect upon. Tension is formed in each image by pinpointing a moment between two places or times, staging scenes with layered meanings that pull against each other, and using available light at sunset. Symbols representing a personal mythology such as cloth, food and hair are also present and repeated throughout the series to create a sense of familiarity with the viewer.
From the series True adventures
“My intention is to show how the inner psyche reflects the culture at large. I am drawn to the tension of opposites: inner and outer spaces, wildness and domesticity, the sweat and the cool. With a background in psychology, I am always interested in what lies beneath appearances. The predator theme so present in the “true” adventures led me to explore “who” or “what” is breaking through. Whether the metaphor is that of bats or whales, this “other” carries not only our deepest fears but our deepest desires. We meet ourselves.”
From the series Night Wanderers
"For this series, I have been influenced not by the work of other photographers, but by the collage and assemblage art of the American artist Joseph Cornell. In the course of writing an art historical book on the artist, Joseph Cornell and Astronomy: A Case for the Stars (Princeton University Press, 2009), I became aware of the artist’s deep and abiding interest in astronomy. I also came to understand his creative process, which involved juxtaposing objects in often unexpected ways. His working method encouraged me to take risks, to experiment, and to be willing to destroy one object to create another. He also taught me to appreciate the stars.
Using ice as a still life object is always a challenging process. I partially thaw the ice to create transparent and translucent areas, then work quickly to photograph it. While I choose objects and photographs that recall earlier times, such as an outdated globe or old cartes-de-visite, to help remind us that star light is old light, the ice that encases them underscores the elegance and fragility of our place in the universe"