Mostrar mensagens com a etiqueta Argentine. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Argentine. Mostrar todas as mensagens

02/07/2012






Marco Vernaschi

From the series Placebo

Placebo, his current body of work in progress, is no exception to this direct experience of creativity. Vernaschi now turns the camera on himself, documenting his life, expressing the upheaval, solitude, silence and humanness he is currently experiencing. Capturing the most physical moments of sexual expression, he follows an exploration of the aftermath, observing his path through a collection of ephemeral experiences. He exerts no effort to make sense of, analyze, or explain this process, but merely to express. His images are literally a pure examination of his humanity, a ‘research’ of his present existence.
Placebo constantly assaults the viewer in its overwhelming power and affirmation of pure physicality. The images are sometimes cast in an aura of violence, but violence revealed as a basic component of human nature, of nature itself, the essence of civilization’s foundation. A violence that holds within it a mixture of fear and pleasure, mirroring the artist’s own sense of existentialism. Vernaschi’s creative process is a cocktail of immediacy, instinct and frenzy. The images which make up Placebo, range from moments of calm contemplation, delving deeply into the ferocity of fucking, traveling to a moment of uncontrollable orgasm when time and consciousness evaporate and experience becomes exclusively sensate.

13/03/2012






Rodrigo Abd

From the series Maras

07/03/2012






Irina Werning
 
"I love old photos. I know I’m a nosy photographer. As soon as I step into someone else’s house, I start sniffing for those old photos. Most of us are fascinated by their retro look but to me it’s imagining how people would feel and look like if they were to reenact them today… A year ago, I decided to actually do this. So, with my camera, I started inviting people to go back to their future.

It starts when I get together with my subjects and we choose the old picture. I go through their boxes and albums looking for an image that speaks about them. Next comes a bit of a photographic investigation: studying the lighting, the angle, the type of camera and lens it was shot with, etc. Then, from there, the search begins: internet auction sites, second hand stores, borrowing from friends wardrobes, cutting, dying, sewing, attaching, adapting, assembling, gluing, coloring, painting, renting rare and hard to find objects. This project requires a lot of improvising on the run and it involves searching endlessly for stuff in the streets of Buenos Aires. I guess I really like finding things. If I cant find something, then I make it.

Once I have everything I need, we are ready to go back to the future. I dress them up and put them either in the set I built for them or, when possible, back in the real location. Once I get the light right, I ask them to do that thing they were doing in the original photo. I am always amazed that they do it."

02/01/2012

27/07/2011

11/11/2010

08/05/2010