15/11/2009






Bill Henson

Australian artist Bill Henson is a passionate and visionary explorer of twilight zones, of the ambiguous spaces that exist between day and night, nature and civilization, youth and adulthood, male and female. His photographs of landscapes at dusk, of the industrial 'no-man's land' that lies on the outskirts of our cities, and of androgynous girls and boys adrift in the nocturnal turmoil of adolescence are painterly tableaux that continue the tradition of romantic literature and painting in our post-industrial age. Were it not for Henson's primary, almost devotional need to elicit empathy for his troubled human subjects, there's a feeling that nothing would prevent the black in his photographs from completely absorbing his attention and extinguishing his work.


Australia: Labor government backs witch-hunting of photographer Bill Henson

Websites reported for using Henson images








AES+F

Moscow-based collective AES+F - the name comes from the initials of members Tatiana Arzamasova, Lev Evzovitch and Evgeny Svyatsky, who joined forces in 1987, with photographer Vladimir Fridkes arriving in 1995.





Collier Schorr

Collier Schorr was born in New York City in 1963 and attended the School of the Visual Arts, New York. Best known for her portraits of adolescent men and women, Schorr’s pictures often blend photographic realism with elements of fiction and youthful fantasy.
Whereas in this body of work Schorr is comparing the way men and women pose differently for the artist’s gaze, in photographs of American high school and collegiate wrestlers the artist trains her camera on a tribe of young men whose bodies and athletic training homogenize personal differences. Schorr’s work was featured in the 2002 Whitney Biennial and the 2003 International Center for Photography Triennial. Schorr has exhibited her work internationally at prestigious venues that include the Walker Art Center in Minneapolis, the Jewish Museum in New York, the Stedelijk Museum in Amsterdam, and the Consorcio Salamanca in Salamanca, Spain. Collier Schorr currently lives and works in Brooklyn, New York.


Collier Schorr Photographs http://www.youtube.com/watch?v=d5JnSRUqgic





Katy Grannan

Katy Grannan’s striking portraits capture the desire of her subjects to offer themselves up to the camera lens. Each of her well-known series—“Poughkeepsie Journal,” “Dream America,” and “Morning Call”—began with a simple ad placed by Grannan in local newspapers: “Art Models. Artist/Photographer (female) seeks people for portraits. No experience necessary. Leave msg.” After an initial telephone conversation, Grannan travels to the caller’s home. Photographing her models in their own surroundings, she pays meticulous attention to the elements of their domestic settings: wood paneling, patterned wallpaper, and other mundane but often telling details. The subjects choose to remain clothed, to model nude, or to pause somewhere in between, working with Grannan to arrive at the pose.

The resulting images reflect the intensity of the relationship between artist and model. With subjects centrally framed and directly facing the camera, each image resonates with the tension of a first encounter. In Grannan’s series “Sugar Camp Road” and her most recent work, she moves the exercise outdoors, using a municipal park as the backdrop. Even though the parklands that serve as her set bring the private encounters of her earlier series into the public landscape, she maintains a delicate - yet charged - sense of intimacy.








Gregory Crewdson

Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch. Crewdson’s method is equally filmic, building elaborate sets to take pictures of extraordinary detail and narrative portent.
When he was ten, Crewdson’s father, a psychoanalyst, took him to see a Diane Arbus exhibition at MoMA, an early aesthetic experience that informed his decision to become a photographer. Work includes the Natural Wonder series, dioramas created by the artist with insects, animals and body parts in small-town settings both mundane and menacing. Recent series include Twilight and Beneath the Roses, everyday scenes with charged, surreal moods that hint at the longings and malaise of suburban America. These pictures are like incomplete sentences, with little reference to prior events or what may follow. The artist has referred the 'limitations of a photograph in terms of narrative capacity to have an image that is frozen in time, (where) there's no before or after' and has turned that restriction into a unique strength.